转发：第28届CHIME国际学术会议征稿通知

发布者：教学办发布时间：2024-11-06浏览次数：10

会议主题：面向数字化未来的中国音乐

主办方：爱尔兰国立科克大学音乐系，爱尔兰，科克市

时间：2025年7月4日-8日

征稿启事：

本次会议聚焦新媒体（尤其是数字媒体）为音乐的保存、创作、演奏、分享、教学和讨论中提供的各种空间，以及这些空间对音乐人、文化传承者以及其他相关人群在音乐生活中的影响。我们诚意邀请有意参会者提交与此主题相关的提案。同时，我们也欢迎其它任何与中国音乐研究相关的新研究报告。

新数字媒体为各种音乐活动提供了新的可能性：比如，对传统音乐的“重新包装”、对远程活动的访问，对分享和纪念的表达，为新的创作、在线学习、批评评论，或有趣的混音等提供空间（和工具包）。我们可以从多个角度来研究这些现象：

  • 作为新的音乐创作、策展和参与的平台与工具
  • 作为新形式的展示、回流以及纪念的空间
  • 作为表演中的音乐表达、现场感或真实性等方面都面临激进重塑的场景
  • 作为音乐素材、影响、威胁或灵感的一种来源
  • 作为引发扩展中的经济和声誉的可能性以及道德或法律议题的背景

  

我们欢迎针对上述问题或与中国音乐数字化未来相关的其它问题的提案，也欢迎与更广泛的新研究相关的提案。

请投稿者注意，此会议是线下会议，不接受任何以线上方式发言的投稿。

投稿截止日期：

2025年1月15日。 录取结果将于大约2025年2月1日通知。注册网站预计将于2025年1月15日上线。需要邀请函以办理签证或申请资助的参会者应尽早注册，以便留出必要的时间安排相关事宜。

征集提案类型：

  • 单人报告（20分钟报告，10分钟提问）

  • 小组研讨会（围绕某一主题的三或四篇相关报告，总时长1.5或2小时）

  • 圆桌会议（三或四个较短的报告，每个约15分钟，随后进行主持讨论，总时长1.5或2小时）

  •  基于表演的报告或工作坊（时长如上）

  • 电影或其它媒体展示（时长如上）

  • 包含研究者、表演者或其他研究参与者组成的小组合作或跨学科报告（时长如上）

个人报告摘要应为250-300字。对于研讨会和圆桌会议，请提交每篇报告的摘要以及约150字的整体研讨会/圆桌会议描述。摘要提交网址：https://www.chimemusic.net/28th-chime

所有提案将经过同行评审。

主旨发言人：

喻辉，中国教育部“长江学者特聘教授”，云南大学“东陆特聘教授”

喻辉教授是中国教育部“长江学者奖励计划”特聘教授及云南大学民族音乐学研究中心主任。作为一名专注于数字时代中国传统音乐和云南少数民族音乐的民族音乐学家，他近期的出版物包括《牛津中国音乐与华人音乐手册》（与Jonathan P.J. Stock教授合著，牛津大学出版社，2023年）、《互联网时代中国音乐的全球视角》（与Stephen Wild合编，杭州：浙江大学出版社，2019年）,《中国传统音乐研究：一个局内人的探索》（帕尔格雷夫·麦克米伦出版社 Palgrave Macmillan, 2025年）。喻辉教授现任国际音乐学术期刊《亚洲音乐学》主编。

会议组织者及咨询联系方式：

  • 钱丽娟博士，lijuan.qian@ucc.ie
  • Alexander Khalil博士
  • 刘可意博士
  • Jonathan Stock教授

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CFP: 28th CHIME Annual Conference


Theme: Digital Futures for Chinese Music 
University College Cork, Cork, Ireland
 4–8 July   2025
Keynote Speaker: Yu Hui, Changjiang Distinguished Professor, Yunnan University
Call for Papers
In this conference we focus on the various ways new media (digital media especially) provide spaces for preserving, creating, playing, sharing, teaching, or discussing music, and the ways these spaces are impacting what musicians, culture bearers, and others do in the musical part of their lives. Prospective participants are encouraged to submit proposals that resonate with this theme. However, presentations of any new research in the broad area of Chinese music studies are also welcome, whether these engage with the theme or not.

New digital media provide for “repackaging” of traditions, access to distant events, gestures of sharing and commemoration, and spaces (and toolkits) for new creation, online learning, critical commentary, or playful remixing. We might study these situations in several ways:

  • as platforms and tools for new kinds of musical creation, curation, and participation
  • as spaces for new formats of presentation, repatriation, and commemoration
  • as settings where performance facets like musical expression, liveness, or authenticity are open to striking reformulations
  • as a source of musical materials, influences, threats, or inspirations
  • as contexts that raise expanded economic and reputational possibilities as well as ethical or legal concerns

We welcome proposals that address one or more of these questions, or which pose other questions related to the digital futures for Chinese music, as well as those relating to new research more broadly.

Please note that this is an in-person conference.

DEADLINE FOR SUBMISSIONS: 15 JANUARY 2025. Successful applicants will be notified c. 1 February 2025. A registration website will be available c. 15 January 2025. Attendees who need letters of invitation for visa or funding purposes are encouraged to register as early as possible to allow the necessary time for those arrangements.

Proposals are invited for: 

  • Solo Papers (20 minutes with 10 minutes for questions) 

  • Panels (3 or 4 linked papers around a theme, totalling 1.5 or 2 hours) 

  • Roundtables (3 or 4 shorter presentations, around 15 minutes each, followed by a chaired discussion, totalling 1.5 or 2 hours) 

  • Performance-based presentations or workshops (with durations as above) 

  • Films or other media presentations (with durations as above) 

  • Collaborative or multidisciplinary presentations that include a group of researchers, practitioners, or other research participants (again with durations as above).


Abstracts for individual papers should be 250-300 words in length. For panels and roundtables, send an abstract for each paper/contribution together with an overall panel/roundtable description of c. 150 words. Submission of abstracts: https://www.chimemusic.net/28th-chime

All proposals will be peer-reviewed.

Keynote speaker: YU Hui is a Changjiang Scholar Distinguished Professor of the Chinese Ministry of Education and Director of the Center for Ethnomusicology at Yunnan University. An ethnomusicologist specializing in Chinese traditional music in the digital era and ethnic minority music in Yunnan, his recent publications include The Oxford Handbook of Music in China and the Chinese Diaspora (Yu Hui and Jonathan P.J. Stock. Oxford University Press, 2023)， Global Perspectives on Chinese Music in the Internet Age (Yu Hui, and Wild Stephen. eds., Hangzhou: Zhejiang University Press, 2019), and Traditional Chinese Music Research: An Insider’s Explorations （Yu Hui, Palgrave Macmillan, 2025) He is currently chief editor of the international musicology journal Asian Musicology.

Conference Organiser and contact for enquiries:

  • Dr. Lijuan Qian, lijuan.qian@ucc.ie

  • Dr. Alexander Khalil 

  • Dr. Keyi Liu

  • Prof. Jonathan Stock



原文链接：https://mp.weixin.qq.com/s/EpkQWAQOUyzZNnEv4pkuSg